Gold Medal and Award of Excellence in Personal/Group Titles, 97 NewMedia Invision Awards Festival (USA)
Selection for the New Talent Pavilion, MILIA 97 (France)
Finalist, Best Use of Sound, 97 ATOM Awards (Australia)
Finalist, Best Student Work, 97 AIMIA Awards (Australia)
Shared First Prize, Arts_Edge Multimedia Competition 98 (Australia)
Finalist, National Digital Art Awards, 98 (Australia)
Finalist, Competitive Exhibition VIDEOBRASIL 98 98 (Brasil)
Finalist, International Competition, Videonale 8 (Germany)
Finalist, CD-ROM competition COMTECart '98 (Germany)
Finalist, Competitive Retrospective Program, Retina 2000 VII
International Film & Video Festival (Hungary)
Other Exhibitions and Festivals
Matinaze, Art Gallery of NSW, Sydney 97 (Australia)
E-Media Gallery, Australian Center for Contemporary Photography, Melbourne, 97
WOW Film Festival, Chauvel Cinema, Sydney 97 (Australia)
12th Summer School of Radio, Arles 97 (France)
Rencontres Internationales de la Photographie d'Arles, Arles 98 (France)
ACM Multimedia Art Program 98 (USA/UK)
CDWomen@Ngapartji.com.au, Ngapartji Multimedia Centre, Adelaide 98 (Australia)
Apple Multimedia Gallery, Australian Film Commission's 98 Being Connected Conference
Muumediafestivaali 98 Kiasma Musum of Contemporary Art (Finland)
Seventh Annual Biennial Symposium on Arts and Technology,Connecticut College 99 (USA)
Women in the Director's Chair International Film and Video Festival Chicago 99 (USA); subsequently travelled to Mexico, France, Canada
Contact Zones: The Art of the CD-ROM Cornell University 99 (USA, Canada, Mexico, France)
2nd International Show of Art in CD-ROM MECAD Media Centre d'Art 99 (Spain)
VideoLisboa (Portugal) 2000
Dissection. Museum of Macau, 2000 (China)
Collections
Selected for the Rose Goldsen Archive of New Media Art in the Division of Rare and Manuscript Collections at Cornell University USA, one of the world’s leading repositories of individual artist portfolios and large institutional collections
Selected for Revisiting Australian CD-ROM Art of the 1990s, to be published in October 2024. This will contain: an embedded window that allows visitors to view an emulation of the work, stills, bios of the artists, and curated text on the works. Curated by Prof Melanie Swalwell & Dr Helen Stuckey